{"id":313,"date":"2026-05-17T17:26:17","date_gmt":"2026-05-17T17:26:17","guid":{"rendered":"https:\/\/mykosmos.ro\/resurse-legislative\/"},"modified":"2026-08-05T15:52:47","modified_gmt":"2026-08-05T15:52:47","slug":"resurse-legislative","status":"publish","type":"page","link":"https:\/\/mykosmos.ro\/en\/resurse-legislative\/","title":{"rendered":"Legislative resources"},"content":{"rendered":"
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Legislative resources<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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Legal guides<\/h5>

<\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
WIPO \u2013 Intellectual Property & Music<\/a><\/td>\nGlobal overview of IP rights for musical works and recordings.<\/td>\n<\/tr>\n
WIPO \u2013 Copyright Treaties (Berne Convention)<\/a><\/td>\nExplains international copyright protection under the Berne Convention.<\/td>\n<\/tr>\n
U.S. Copyright Office \u2013 Musician Guide<\/a><\/td>\nOfficial U.S. guidance on copyright for musicians.<\/td>\n<\/tr>\n
UK IPO \u2013 Music Copyright<\/a><\/td>\nUK government guidance on copyright and music rights.<\/td>\n<\/tr>\n
UK IPO \u2013 Music Copyright: crime and infringement<\/a><\/td>\nUK government guidance on copyright and music rights, focus on infringement, counterfeiting and piracy.<\/td>\n<\/tr>\n
EUIPO \u2013 Copyright Explained<\/a><\/td>\nEU-level explanation of copyright and creative rights.<\/td>\n<\/tr>\n
EUIPO \u2013 Copyright in Europe, interactive map - Romania<\/a><\/td>\nRO-level explanation of copyright and creative rights.<\/td>\n<\/tr>\n
Portal Legislativ<\/a><\/td>\nRomania\u2019s official legislative portal, providing the full, up-to-date text of Law no. 8\/1996 on copyright and related rights<\/td>\n<\/tr>\n
Creative Commons \u2013 Music Licensing Guide<\/a><\/td>\nHow to apply Creative Commons licenses to music for videos.<\/td>\n<\/tr>\n
Berklee Online \u2013 Music Copyright Basics<\/a><\/td>\nEducational overview of copyright for musicians.<\/td>\n<\/tr>\n
Ivors Academy \u2013 Knowledge Hub<\/a><\/td>\nComposer-focused guidance on rights, publishing and copyright, helping creators protect and manage their work in the Industry.<\/td>\n<\/tr>\n
APRA AMCOS \u2013 Copyright Explained<\/a><\/td>\nCopyright and royalty explanations for Australia\/NZ.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Contract Templates<\/h5>

<\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n
ISM \u2013 Composers\u2019 Contracts Pack<\/a><\/td>\nProfessional contract templates for composers.<\/td>\n<\/tr>\n
Rocket Lawyer \u2013 Composer Agreement<\/a><\/td>\nEditable composer-client agreement template.<\/td>\n<\/tr>\n
APEM - Contract templates<\/a><\/td>\nA set of downloadable contract templates, including publishing, administration, and exclusivity agreements.<\/td>\n<\/tr>\n
MusicContracts.com<\/a><\/td>\nMusic business contract templates with explanation and examples<\/td>\n<\/tr>\n
Songpact<\/a><\/td>\nPlatform where artists can easily access, create and negotiate their music agreements.<\/td>\n<\/tr>\n
Musicians' Union<\/a><\/td>\nStandard contracts for freelence musicians.<\/td>\n<\/tr>\n
LegalZoom \u2013 Music Agreements & Musician Contract<\/a><\/td>\nOnline paid service providing customised contracts for musicians, for individual musicians, songwriters, composers, bands, and other music professionalsas well as sponsorship, and copyright templates.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Compliance Checklists<\/h5>

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Columbia University \u2013 Fair Use Checklist<\/a><\/td>\nChecklist to document fair-use analysis.<\/td>\n<\/tr>\n
Eastern University - Copyright Compliance Checklist<\/a><\/td>\nCopyright Compliance Checklist<\/td>\n<\/tr>\n
TERITA KALLOO Law<\/a><\/td>\nAssess whether your musical creations are properly secured and set up to earn you maximum income<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Case Studies & Industry<\/h5>

<\/google-sheets-html-origin><\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
Gaye v. Thicke (Blurred Lines)<\/a><\/td>\nLandmark case on musical similarity.<\/td>\n<\/tr>\n
Bridgeport Music v. Dimension Films<\/a><\/td>\nSampling copyright precedent.<\/td>\n<\/tr>\n
Newton v. Diamond<\/a><\/td>\nDe minimis sampling case.<\/td>\n<\/tr>\n
IFPI \u2013 Global Music Reports<\/a><\/td>\nIndustry data on current global music markets.<\/td>\n<\/tr>\n
MIDiA Research \u2013 Insights<\/a><\/td>\nAnalysis of music business trends.<\/td>\n<\/tr>\n
Music Business Worldwide \u2013 Legal News<\/a><\/td>\nCoverage of music law developments.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Self-Assessment Tools and Compliance Checklist and Contract Templates<\/h5>

<\/google-sheets-html-origin><\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n
Creative Docket \u2013 IP Self-Audit<\/a><\/td>\nA free legal resource offering guides, templates, and checklists to help creatives understand contracts, copyright, trademarks, and other intellectual property basics.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Self-Assessment Tools<\/h5>

<\/google-sheets-html-origin><\/p>\n

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PRS \u2013 Making Music<\/a><\/td>\nMember\u2011only online resource<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Research & Reports<\/h5>

<\/google-sheets-html-origin><\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
AUDIOVISUAL <\/a>
\nCOMPOSERS\u2019 CONTRACTS <\/a>
Current Practices, <\/a>
Challenges and <\/a>
Recommendations<\/a><\/td>\n

<\/p>\n

Analysis of contractual practices affecting European audiovisual composers and reccommendations to improve a fair renumeration.<\/td>\n<\/tr>\n
Activity report 2024-early 2025<\/a><\/td>\nAnnual report that highlights the advocacy activities (AI, streaming royalties, unfair contracts, EU strategiy) and cultural events they carried out.<\/td>\n<\/tr>\n
CISAC annual report 2025<\/a><\/td>\nAnnual overview of key-actions including AI advocacy, anti\u2011fraud work, and technological developments affecting rights management for creators.<\/td>\n<\/tr>\n
REPORT on cultural diversity and the conditions for authors in the European music streaming market<\/a><\/td>\nMotion for a European Parliament Resolution on cultural diversity and the conditions for authors in the European music streaming market (cultural diversity, fair renumeration, AI, policy actions, transparency).<\/td>\n<\/tr>\n
Artificial Intelligence and Music: Open Questions of<\/a>
\nCopyright Law and Engineering Praxis<\/a><\/td>\n

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Outcomes of AI in the music industry, highlighting legal, ethical, and technical challenges for creators, copyright, and music production practices.<\/td>\n<\/tr>\n
Copyright and generative artificial intelligence \u2013 opportunities and challenges<\/a><\/td>\nMotion for a European Parliament Resolution on Copyright and generative artificial intelligence, highlighting the need to balance technological development with respect for existing rights<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Official EU sources<\/h5>

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Directive (EU) 2019\/790 of the European Parliament and of the Council of 17 April 2019 on copyright and related rights in the Digital Single Market and amending Directives 96\/9\/EC and 2001\/29\/EC<\/a><\/td>\nFull legal text of the DSM Copyright Directive harmonising EU copyright rules in the digital environment.<\/td>\n<\/tr>\n
Directive 2001\/29\/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society<\/a><\/td>\nCore EU directive harmonising copyright and related rights in the information society.<\/td>\n<\/tr>\n
Directive 2014\/26\/EU of the European Parliament and of the Council of 26 February 2014 on collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online use in the internal market Text with EEA relevance<\/a><\/td>\nLegal framework governing collective management organisations and multi-territorial licensing of rights in musical works for online use in the internal market.<\/td>\n<\/tr>\n
EU copyright law<\/a><\/td>\nOverview of EU copyright framework, policy documents and implementation guidance.<\/td>\n<\/tr>\n
Directive 2006\/116\/EC of the European Parliament and of the Council of 12 December 2006 on the term of protection of copyright and certain related rights<\/a><\/td>\nDirective harmonising the term of protection of copyright and certain related rights<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Public Domain and protected editions<\/h5>

<\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
The Europeana Public Domain Charter<\/a><\/td>\nPrinciples and guidance on public domain and digitisation practices for cultural institutions.<\/td>\n<\/tr>\n
Music Library Association - copyright for music librarians<\/a><\/td>\nFAQ on music copyright, editions, arrangements and library use.<\/td>\n<\/tr>\n
ISM - Understanding copyright for printed music<\/a><\/td>\nGuidance on copyright rules for printed sheet music and performances.<\/td>\n<\/tr>\n
Basics of Copyright for Music Educators<\/a><\/td>\nEducational resource explaining copyright basics including arrangements.<\/td>\n<\/tr>\n
Making Music - Out of copyright music and public domain explained<\/a><\/td>\nPractical guide explaining when music enters the public domain.<\/td>\n<\/tr>\n
IMSLP: Copyright Reviewers<\/a><\/td>\nGuidance on how different jurisdictions treat copyright on urtext\/critical editions.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Publishing rights\/music publishing<\/h5>

<\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
IMPALA \u2013 Independent Music Companies Association<\/a><\/td>\nEuropean association representing independent music companies. The website provides updates on EU legislation affecting the music sector, including copyright, remuneration, and cultural policy.<\/td>\n<\/tr>\n
ISM - Publishing rights: an introduction<\/a><\/td>\nOverview of music publishing rights and revenue streams.<\/td>\n<\/tr>\n
UCMR-ADA (RO) - Music Royalties<\/a><\/td>\nPage listing tariff schedules and methodologies used by the Romanian collective management organisation UCMR\u2011ADA for licences and remuneration of musical works (performances, broadcasts, phonograms, TV\/radio).<\/td>\n<\/tr>\n
CREDIDAM \u2013 The Romanian Centre for Performers\u2019 Rights Management<\/a><\/td>\nRomanian non\u2011profit collective management organisation that collects and distributes remuneration owed to performers for the use of their performances and phonograms, negotiates licensing terms, and represents the interests of Romanian and foreign performers under Romanian copyright and related rights law.<\/td>\n<\/tr>\n
SACEM<\/a><\/td>\nOverview of SACEM\u2019s licensing requirements and how royalties are collected and paid to right\u2011holders in France.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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European case studies<\/h5>

<\/google-sheets-html-origin><\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
Creative Europe - Projects lists<\/a><\/td>\nLists all projects funded by the European Commission under the Creative Europe programme.<\/td>\n<\/tr>\n
Opera Europa<\/a><\/td>\nOverview of Opera Europa, the leading network and service organisation for professional opera companies and festivals throughout Europe, supporting collaboration, shared projects, audience development, digital initiatives like OperaVision, and advocacy for the sector with EU institutions.<\/td>\n<\/tr>\n
Fair MusE<\/a><\/td>\nHorizon Europe project studying transparency and fairness in the European music industry, including copyright infrastructure and data tools.<\/td>\n<\/tr>\n
European Music Incubator (Creative Europe 2016)<\/a><\/td>\nPilot Creative Europe project supporting innovation and career development for a new generation of European music professionals through workshops, masterclasses and networking.<\/td>\n<\/tr>\n
Polkatulk<\/a><\/td>\nPolkatulk is a funded project developing a blockchain-based SaaS platform for the audiovisual sector to improve copyright management in online distribution. The project aims to simplify cross-border rights tracking, allocation and reporting through an interoperable, transparent system that supports revenue-sharing models and facilitates the circulation of European content across multiple streaming platforms.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Practical guides for cultural institutions<\/h5>

<\/google-sheets-html-origin><\/google-sheets-html-origin><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n
Europeana Pro - Copyright tools and resources<\/a><\/td>\nSet of tools and resources which support professionals dealing with copyright in the cultural heritage sector.<\/td>\n<\/tr>\n
International Federation of Library Associations and Institutions - Resources<\/a><\/td>\nCollection of resources and publications focusing on copyright.<\/td>\n<\/tr>\n
Understanding copyright - advice for public interest institutions<\/a><\/td>\nEuropean Commission initiative providing educational materials, events and practical guidance to help cultural heritage, education and research institutions understand and apply EU copyright rules in practice.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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List of Collective Rights Management Organizations for Performers<\/h5>
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Country<\/strong><\/td>\nOrganism(e)<\/strong><\/td>\nRights<\/strong><\/td>\nOfficial page<\/strong><\/td>\n<\/tr>\n
Romania<\/td>\nCREDIDAM<\/td>\nArtists<\/td>\ncredidam.ro<\/a><\/td>\n<\/tr>\n
Austria<\/td>\nLSG<\/td>\nPerformers and producers<\/td>\nlsg.at<\/a><\/td>\n<\/tr>\n
Belgium<\/td>\nPlayRight<\/td>\nArtists<\/td>\nplayright.be<\/a><\/td>\n<\/tr>\n
Belgium<\/td>\nSIMIM<\/td>\nProducers<\/td>\nsimim.be<\/a><\/td>\n<\/tr>\n
Bulgaria<\/td>\nPROPHON<\/td>\nPerformers and producers<\/td>\nprophon.org<\/a><\/td>\n<\/tr>\n
Croatia<\/td>\nHUZIP<\/td>\nArtists<\/td>\nhuzip.hr<\/a><\/td>\n<\/tr>\n
Czech Republic<\/td>\nINTERGRAM<\/td>\nPerformers and producers<\/td>\nintergram.cz<\/a><\/td>\n<\/tr>\n
Denmark<\/td>\nGramex<\/td>\nPerformers and producers<\/td>\ngramex.dk<\/a><\/td>\n<\/tr>\n
Estonia<\/td>\nEAEL<\/td>\nArtists<\/td>\nesitajad.ee<\/a><\/td>\n<\/tr>\n
Finland<\/td>\nGramex<\/td>\nPerformers and producers<\/td>\ngramex.fi<\/a><\/td>\n<\/tr>\n
France<\/td>\nADAMI<\/td>\nArtists<\/td>\nadami.fr<\/a><\/td>\n<\/tr>\n
France<\/td>\nSPEDIDAM<\/td>\nArtists<\/td>\nspedidam.fr<\/a><\/td>\n<\/tr>\n
Germany<\/td>\nGVL<\/td>\nPerformers and producers<\/td>\ngvl.de<\/a><\/td>\n<\/tr>\n
Greece<\/td>\nAPOLLON<\/td>\nArtists<\/td>\napollon.org.gr<\/a><\/td>\n<\/tr>\n
Hungary<\/td>\nEJI<\/td>\nArtists<\/td>\neji.hu<\/a><\/td>\n<\/tr>\n
Ireland<\/td>\nRAAP<\/td>\nArtists<\/td>\nraap.ie<\/a><\/td>\n<\/tr>\n
Italy<\/td>\nNuovo IMAIE<\/td>\nArtists<\/td>\nnuovoimaie.it<\/a><\/td>\n<\/tr>\n
Latvia<\/td>\nLaIPA<\/td>\nArtists<\/td>\nlaipa.org<\/a><\/td>\n<\/tr>\n
Latvia<\/td>\nAGATA<\/td>\nPerformers and producers<\/td>\nagata.lt<\/a><\/td>\n<\/tr>\n
Netherlands<\/td>\nSENA<\/td>\nPerformers and producers<\/td>\nsena.nl<\/a><\/td>\n<\/tr>\n
Norway<\/td>\nGramo<\/td>\nPerformers and producers<\/td>\ngramo.no<\/a><\/td>\n<\/tr>\n
Poland<\/td>\nSTOART<\/td>\nArtists<\/td>\nstoart.org.pl<\/a><\/td>\n<\/tr>\n
Portugal<\/td>\nGDA<\/td>\nArtists<\/td>\ngda.pt<\/a><\/td>\n<\/tr>\n
Slovakia<\/td>\nSLOVGRAM<\/td>\nPerformers and producers<\/td>\nslovgram.sk<\/a><\/td>\n<\/tr>\n
Slovenia<\/td>\nZavod IPF<\/td>\nPerformers and producers<\/td>\nzavod-ipf.si<\/a><\/td>\n<\/tr>\n
Spain<\/td>\nAIE<\/td>\nArtists<\/td>\naie.es<\/a><\/td>\n<\/tr>\n
Sweden<\/td>\nSAMI<\/td>\nArtists<\/td>\nsami.se<\/a><\/td>\n<\/tr>\n
Swizerland<\/td>\nSwissperform<\/td>\nPerformers and producers<\/td>\nswissperform.ch<\/a><\/td>\n<\/tr>\n
United Kingdom<\/td>\nPPL<\/td>\nPerformers and producers<\/td>\nppluk.com<\/a><\/td>\n<\/tr>\n
Serbia<\/td>\nPI<\/td>\nArtists<\/td>\npi.org.rs<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/google-sheets-html-origin><\/p>\n<\/div><\/div>\n\n

List of Collective Rights Management Organizations for Composers<\/h5>
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Country<\/strong><\/td>\nOrganism(e)<\/strong><\/td>\nWebpage<\/strong><\/td>\n<\/tr>\n
Romania<\/td>\nUCMR-ADA<\/td>\nucmr-ada.ro<\/a><\/td>\n<\/tr>\n
France<\/td>\nSACEM<\/td>\nsacem.fr<\/a><\/td>\n<\/tr>\n
Germany<\/td>\nGEMA<\/td>\ngema.de<\/a><\/td>\n<\/tr>\n
Austria<\/td>\nAKM<\/td>\nakm.at<\/a><\/td>\n<\/tr>\n
Belgium<\/td>\nSABAM<\/td>\nsabam.be<\/a><\/td>\n<\/tr>\n
Netherlands<\/td>\nBumaStemra<\/td>\nbumastemra.nl<\/a><\/td>\n<\/tr>\n
Luxembourg<\/td>\nSACEM<\/td>\nsacem.fr<\/a><\/td>\n<\/tr>\n
Denmark<\/td>\nKODA<\/td>\nkoda.dk<\/a><\/td>\n<\/tr>\n
Sweden<\/td>\nSTIM<\/td>\nstim.se<\/a><\/td>\n<\/tr>\n
Norway<\/td>\nTONO<\/td>\ntono.no<\/a><\/td>\n<\/tr>\n
Finland<\/td>\nTeosto<\/td>\nteosto.fi<\/a><\/td>\n<\/tr>\n
Iceland<\/td>\nSTEF<\/td>\nstef.is<\/a><\/td>\n<\/tr>\n
Ireland<\/td>\nIMRO<\/td>\nimro.ie<\/a><\/td>\n<\/tr>\n
United Kingdom<\/td>\nPRS for Music<\/td>\nprsformusic.com<\/a><\/td>\n<\/tr>\n
Spain<\/td>\nSGAE<\/td>\nsgae.es<\/a><\/td>\n<\/tr>\n
Portugal<\/td>\nSPA<\/td>\nspautores.pt<\/a><\/td>\n<\/tr>\n
Italy<\/td>\nSIAE<\/td>\nsiae.it<\/a><\/td>\n<\/tr>\n
Switzerland<\/td>\nSUISA<\/td>\nsuisa.ch<\/a><\/td>\n<\/tr>\n
Poland<\/td>\nZAiKS<\/td>\nzaiks.org.pl<\/a><\/td>\n<\/tr>\n
Czech Republic<\/td>\nOSA<\/td>\nosa.cz<\/a><\/td>\n<\/tr>\n
Slovakia<\/td>\nSOZA<\/td>\nsoza.sk<\/a><\/td>\n<\/tr>\n
Slovenia<\/td>\nSAZAS<\/td>\nsazas.org<\/a><\/td>\n<\/tr>\n
Croa\u021bia<\/td>\nHDS ZAMP<\/td>\nzamp.hr<\/a><\/td>\n<\/tr>\n
Serbia<\/td>\nSOKOJ<\/td>\nsokoj.rs<\/a><\/td>\n<\/tr>\n
Bosnia and Herzegovina<\/td>\nAMUS<\/td>\namus.ba<\/a><\/td>\n<\/tr>\n
Montenegro<\/td>\nPAM CG<\/td>\npamcg.me<\/a><\/td>\n<\/tr>\n
North Macedonia<\/td>\nZAMP<\/td>\nzamp.com.mk<\/a><\/td>\n<\/tr>\n
Bulgaria<\/td>\nMUSICAUTOR<\/td>\nmusicautor.org<\/a><\/td>\n<\/tr>\n
Greece<\/td>\nEDEM<\/td>\nedemrights.gr<\/a><\/td>\n<\/tr>\n
Hungary<\/td>\nArtisjus<\/td>\nartisjus.hu<\/a><\/td>\n<\/tr>\n
Estonia<\/td>\nEA\u00dc<\/td>\neau.org<\/a><\/td>\n<\/tr>\n
Latvia<\/td>\nAKKA\/LAA<\/td>\nakka-laa.lv<\/a><\/td>\n<\/tr>\n
Lithuania<\/td>\nLATGA<\/td>\nlatga.lt<\/a><\/td>\n<\/tr>\n
Albania<\/td>\nAlbautor<\/td>\nalbautor.al<\/a><\/td>\n<\/tr>\n
Turky<\/td>\nMESAM; MSG<\/td>\nmesam.org.tr<\/a><\/p>\n

msg.org.tr<\/a><\/p>\n<\/td>\n<\/tr>\n

Ukraine<\/td>\nUACRR<\/td>\nuacrr.org.ua<\/a><\/td>\n<\/tr>\n
Republic of Moldova<\/td>\nAGEPI (information regarding authorized bodies)<\/td>\nagepi.gov.md<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-313","page","type-page","status-publish","hentry"],"yoast_head":"\nLegislative resources - My Kosmos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mykosmos.ro\/en\/resurse-legislative\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Legislative resources - My Kosmos\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mykosmos.ro\/en\/resurse-legislative\/\" \/>\n<meta property=\"og:site_name\" content=\"My Kosmos\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-05T15:52:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mykosmos.ro\\\/en\\\/resurse-legislative\\\/\",\"url\":\"https:\\\/\\\/mykosmos.ro\\\/en\\\/resurse-legislative\\\/\",\"name\":\"Legislative resources - 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